Bryan Castro and Team
Professor Castro’s Guide to Do Your Language, 2021
wheat pasted newsprint
22.75 x 14.5 in
Commissioned by the Institute for Contemporary Art at Virginia Commonwealth University, 2021
Professor Castro’s Guide to Do Your Language, 2021
wheat pasted newsprint
22.75 x 14.5 in
Commissioned by the Institute for Contemporary Art at Virginia Commonwealth University, 2021
Bryan Castro
A Speech Impediment Was Linked With Effeminacy (front, after Jay Timothy Dolmage), 2020
oil pastel, chalk, watercolor crayon, ink, and charcoal on double-sided chalkboard held up by grey wooden stands
85.5 x 36.75 x 6 in
Image credit: Deya Guy-Vasson
A Speech Impediment Was Linked With Effeminacy (front, after Jay Timothy Dolmage), 2020
oil pastel, chalk, watercolor crayon, ink, and charcoal on double-sided chalkboard held up by grey wooden stands
85.5 x 36.75 x 6 in
Image credit: Deya Guy-Vasson
Bryan Castro
A Speech Impediment Was Linked With Effeminacy (back, “The process of claiming space [after Joshua St.Pierre]…”), 2020
chalkboard paint on double-sided chalkboard held up by grey wooden stands
85.5 x 36.75 x 6 in
Image credit: Deya Guy-Vasson
A Speech Impediment Was Linked With Effeminacy (back, “The process of claiming space [after Joshua St.Pierre]…”), 2020
chalkboard paint on double-sided chalkboard held up by grey wooden stands
85.5 x 36.75 x 6 in
Image credit: Deya Guy-Vasson
Bryan Castro
Colonial America Used Speech Defects As A Means Of Identifying Runaway Slaves and Indentured Servants (front, after Ann O’Connell, “Following the disability rights movement [after the Did I Stutter commmunity]…”), 2020
marker, chalk, oil pastel, and paintstick on double-sided chalkboard held up by grey wooden stands
85.5 x 36.75 x 6 in
Image credit: Deya Guy-Vasson
Colonial America Used Speech Defects As A Means Of Identifying Runaway Slaves and Indentured Servants (front, after Ann O’Connell, “Following the disability rights movement [after the Did I Stutter commmunity]…”), 2020
marker, chalk, oil pastel, and paintstick on double-sided chalkboard held up by grey wooden stands
85.5 x 36.75 x 6 in
Image credit: Deya Guy-Vasson
Bryan Castro
Colonial America Used Speech Defects As A Means Of Identifying Runaway Slaves and Indentured Servants (back, after Ann O’Connell. “Stuttering is only a problem [after the Did I Stutter community]…”), 2020
marker and ink on double-sided chalkboard held up by grey wooden stands
85.5 x 36.75 x 6 in
Image credit: Deya Guy-Vasson
Colonial America Used Speech Defects As A Means Of Identifying Runaway Slaves and Indentured Servants (back, after Ann O’Connell. “Stuttering is only a problem [after the Did I Stutter community]…”), 2020
marker and ink on double-sided chalkboard held up by grey wooden stands
85.5 x 36.75 x 6 in
Image credit: Deya Guy-Vasson
WORK/PLAY
Codes of Silence, 2022
newsprint
15 x 11.25 in
Commissioned limited edition publication
Codes of Silence, 2022
newsprint
15 x 11.25 in
Commissioned limited edition publication
Languid Hands (Rabz Lansiquot & Imani Mason Jordan)
Towards a Black Testimony: Prayer/Protest/Peace, 2019
digital video
36:58 min
Towards a Black Testimony: Prayer/Protest/Peace, 2019
digital video
36:58 min
Languid Hands (Rabz Lansiquot & Imani Mason Jordan)
Decibilism, 2022
text essay by Languid Hands translated to digital video created by Tuğçe Evirgen Özmen
6:31 min
Decibilism, 2022
text essay by Languid Hands translated to digital video created by Tuğçe Evirgen Özmen
6:31 min
Enar de Dios Rodriguez
General Admission, 2013
admission tickets
3 x 4 in
General Admission, 2013
admission tickets
3 x 4 in
Libby Black
Fagots-Stay Out, 2014
pencil on paper
5 x 8.5 in
Fagots-Stay Out, 2014
pencil on paper
5 x 8.5 in
Libby Black
Site-specific installation,
62 sculptures, 2014 – 2022
paper, paint, glue, pencil
dimensions variable
For more information on individual works please see additional checklist here
Site-specific installation,
62 sculptures, 2014 – 2022
paper, paint, glue, pencil
dimensions variable
For more information on individual works please see additional checklist here
Cinque Mubarak
Avina, 2022
photograph printed on adhesive paper on black painted wall
108 x 108 in
read more
Avina, 2022
photograph printed on adhesive paper on black painted wall
108 x 108 in
read more